What do fans search for online?

“Competitive intelligence” company Hitwise lets you look at their data on top websites and top search terms by industry in the US, UK, Australia, New Zealand, Hong Kong, and Singapore.

For the most part, the information is pretty obvious, but there are some interesting things in there pertaining to the popularity of fan activity online. For instance, the top 10 search terms for the music industry in both the US and the UK:

  • lyrics and song lyrics are the top 2
  • guitar tabs is the third in US, 4th in UK
  • Myspace gets counted twice (with and without a .com at the end) so comes in even higher than it appears in the US, doesn’t make top 10 in UK.
  • free music downloads is only #6 in the US (#7 if you account for the MySpace error), and it doesn’t make the top 10 in the UK.
  • the British are way more into festivals, but we knew that, didn’t we?

So one of the main things people want the internet to help them do with music is play along. How cool is that. Too bad all those lyric and guitar tab sites are illegal.

Lonelygirl creaters weren’t trying to trick their fans?

I’m already starting to feel a bit Lonelygirl15ed out, but had to comment on this set of quotes from the filmmakers:

The creators said Tuesday that they never intended to stage a hoax or trick people into believing their characters were real.”We never wanted to lie to people,” Beckett said.

“Our job from the beginning was not to trick people. It was to create a character that was believable,” Flinders said.

The trio began posting individually scripted and filmed episodes online and began incorporating changes based on reactions and suggestions from fans.

The result is part video game, where viewers exercise some measure of control over the characters, and part mystery novel, complete with hidden clues and cliffhanger chapters that left viewers wanting more.

Flinders writes scripts for each episode and the actress playing Bree delivers her lines with a persuasive power that still has some online viewers believing she is genuine, even after her creators posted their online confession several days ago.

Excuse me, guys, but when you have profiles posted on social networking sites and someone sending emails to the New York Times and signing them “Bree” when you know darn well the person you’re sending them to is questioning Bree’s existence, you are trying to trick people. There’s nothing wrong with fiction, and it’s great if they’ve got more viewers now that we know it’s fiction, but when you try to make a character so real that people believe she exists, you’re trying to trick them, don’t pretend otherwise.

I like the idea of a video series that encourages fan involvement, think it’s a great use of YouTube and MySpace, and am somewhat relieved to hear that this turns out to be indie guys and not, oh, Disney, but I just don’t like deception. Maybe I’m funny that way.

Selling mp3s on an honors system

Juliana Hatfield is a super-swell indie musician who offers online downloads from her website on an honors system, another spin on getting fans to pay artists directly for their music. I love this because of its potential to resolve some of the thorniest ethical issues for the fans who download. Here’s the site’s description of how this works:

So here we are, at the intersection of greed and sloth; but on this little corner, in this little place, the honor system will hold sway. Here’s how it works:When a song is downloaded, you will have an option. You can decide that ownership of this song is your right and freely distribute the files to your friends and to the people who also think it’s their right, without payment.

Or, you can support the artist who wrote and recorded this song and click the PayPal button at the top of the page and send Juliana a contribution. The iTunes standard of $.99 per song may seem too high for you, in which case you can send $.50 – though there is virtually nothing else you can buy legally for $.50. Alternatively, you can think of the number of people with whom you might share these files and give a multiple of $.99 for each song you download.

If you don’t have a means by which you can use PayPal or if you’re opposed to the burgeoning online drain of your credit, feel free to send a dollar in the mail to Juliana at Ye Olde Records, P.O. Box 398110, Cambridge MA 02139.

There might come a day when the honor system is a strong enough code to let people like Juliana offer her songs on the web without the force of law or the sting of theft. In fact, today might be that day. Enjoy the songs. Support talent wherever you find it.

On behalf of Juliana, this site thanks you for your support.

I do buy CDs, lots of them, usually after having heard an mp3 on a blog or other website (I was shocked to read recently that the industry considers a ‘heavy’ record buyer to be someone who spends more than $100/year on CDs, which seems like very little to me). I also buy a lot of used CDs, and — setting the law aside — I have never been ethically clear on how to tease apart the morality of legally buying used vs. downloading illegally. In either case, the artists and record companies get no money and I get the tunes (though I do like knowing I’m supporting my local independent record store by buying used, sometimes I’d rather just download the songs and make a donation to the Love Garden). Generally, I’d rather send some money directly to the artist, and I’m the sort who probably would pay a lot more than 99 cents for a song that I love, both to show my gratitude to the people who created it and to subsidize the pleasure of those who won’t or can’t buy it. There are so many records I’ve bought new for less than $15 that have, for me, been worth so much more. If I could make a cash donation to some of those lesser-known bands that tend to catch my ear, I would. The royalty they get from my purchase seems so far out of whack with the pleasure I’ve received.

I don’t know if this system can really work, but the utopian in me hopes that today can be that day, if only in their little corner.

Does online fandom cause child pornography?

This is a weird and ugly case reported in the LA Times where an underaged extra recruited through MySpace is suing Warner Music Group, Atlantic Records, and others for allegedly getting her drunk and coercing her into performing pornographic acts for a music video:

The Internet has transformed how bands interact with their fans. But that can lead to troublesome consequences.A lawsuit filed in Los Angeles County Superior Court alleges that Warner Music Group, Atlantic Records and other music industry organizations helped coerce a 16-year-old girl into making pornographic rock videos when a band advertised for extras on MySpace, News Corp.’s teen-oriented social networking site.

The companies and musicians’ representatives deny they did anything wrong. But they acknowledge that difficult situations may arise as they reach out to young fans.

But it is just such situations, the girl’s attorney said, that demand heightened caution by the music business.

“For years, the industry has been talking about how online sales and online promotion creates unique opportunities to reach out to fans,” said the attorney, Douglas Silverstein. “Well, that also creates a unique burden” to protect minors from online exploitation, he added.

The suit, filed Thursday, alleges that popular rock group Buckcherry, which is known for its sexually suggestive lyrics and members’ tattooed torsos, asked fans to show up at Hollywood’s Key Club in October.

The plaintiff, a minor identified as Jane Doe who was living in Southern California, was allegedly given alcohol to drink and filmed exposing her breasts, kissing another female and writhing against a pole while Buckcherry performed a song with an unprintable title.

According to the lawsuit, the music video was posted on the band’s website and distributed widely online, as was a “behind the scenes” program that referred to the girl’s first name, featured more nudity and had band members saying, “It’s like watching seven hours of porn.”

The behavior here is terrible, but blaming the internet or the music industry is quite a stretch. I say hold the people who gave her alcohol, filmed her, and posted the film responsible. They’re the bad guys, not the companies (unless the band’s website were run by the label, which Buckcherry’s does not seem to be). I don’t think the communicative potential of the internet creates a “unique burden” any more than in-store appearances, concert halls, backstages, tour buses, bars, and hotel rooms do.

I had a discussion with someone in the music business a few months ago where he argued that labels must be hypervigilant (i.e. limit fan involvement) with sites for bands that appeal to underage girls because they are used by predators. No question that’s a bad thing, and I don’t want to discourage anyone from taking reasonable precautions to prevent it. But I wanted to know whether the labels also felt it was their responsibility to go to these artists’ concerts or ensure there was adequate security present to protect the girls who saw them live.

It concerns me because the rhetoric of protecting children, especially girls, and especially girls who might (horror!) be sexual, has been used as an argument for shutting things down at least since the advent of the telephone. Just look at Deletion of Online Predator’s Act which seeks to ban the use of social networking sites in federally funded places like libraries and schools. The need to protect kids as best we can is real, but focussing on the technology allows us to ignore the really scary truth that almost all cases of bad sexual things that happen to kids have nothing to do with technology and everything to do with the home, the neighborhood, and the family. We have to be careful not to keep everyone, including those kids, from participating in culture more fully because we have fears about what might happen to a very few.

Hold Steady seeking fan input

Pitchfork says the band The Hold Steady, who specialize in sardonic rants filled with witty and self conscious pop culture references, are starting a new social networking site, but it looks more to me like they’re working on their own personal YouTube, asking fans to upload a homemade video to support their new album Boys And Girls In America and even giving them pointers on how to make home videos. Here’s what they say:

This whole album is about guys, girls, love, and growing up in america. We want to you know about what you think about the opposite sex, relationships, love, the whole shebang.

We want to see you!

We want you to make a video testimonial. Post about your life, your loves, your high’s, and your lows. Your first date to your worst date. Your party fouls and your massive nights. Show us what you got!

Well, that’s really fun, and I commend them, and I go along completely with their three rules:

  • Your video may not contain:
    • Copyrighted material
    • Pornography or obscene material
    • The first and last name of someone other than yourself

However, the enthusiastic welcoming of fan creativity breaks down at the final moment:

All uploaded videos become the property of Vagrant Records. We reserve the right to edit and/or amend uploaded videos.

Why does the record company need to own the videos? If I were a Hold Steady fan, I’d be tempted right up to the point where I saw that they want to own my autobiography.